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Harry Styles is a masterful pop star who knows how to build narratives and create expectations. But whatever you think of the album - from the Joni Mitchell–approved title, to the emphasis on observing women’s feelings (and his own wet dreams) - it’s distinctly his perspective.

The resulting collection of songs encompasses outstanding melodies and intimate, affecting lyrics as well as some less memorable moments. Preceded by lead single “As It Was,” his biggest out-of-the-gate hit so far, the album finds Styles - with usual collaborator producers Kid Harpoon and Tyler Johnson - blending everything from ‘80s synths to disco and funk into his own style. In his newest album, Harry’s House, he confidently expands on the persona that both attracted stans and sparked eyerolling derision, but has nonetheless made him an undeniably massive star. He expanded into acting and is now a full-fledged celebrity A-lister with an industry girlfriend, Olivia Wilde, who directed him in the forthcoming film Don’t Worry Darling. In the meantime, there were rumors about his sexuality, “ guy with a pearl earring” moments, blazers with dresses, his own nail polish brand, and massive streaming success. His sophomore album, 2019’s Fine Line, built on his sensitive, earnest persona, leaning into carnality with the shirtless polymorphous imagery of the video for “ Lights Up,” and later with the orgasmic joy of “Watermelon Sugar,” which earned him his first Grammy last year.

Still, he committed to the aesthetic, pushing the harder sound of songs like “Kiwi,” which prefigured the recent rebirth of pop-punk.
